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Maqam Nahawand is one of the most captivating and emotionally rich maqamat (plural of maqam) within Arabic and Middle Eastern music. Known for its profound expressiveness, it has the unique ability to transport listeners into deep emotional states, making it a staple in classical, folk, and modern compositions alike. Originating in the Middle East, Nahawand serves as both a foundational maqam for students learning Arabic music and an essential tool for seasoned performers seeking to craft evocative melodies.
This blog aims to unravel the intricacies of Maqam Nahawand by examining its structure, emotional impact, and practical applications in a variety of musical settings. Whether you’re a professional musician, a darbuka or riq player, or simply a maqam enthusiast, this guide will leave you inspired to explore Nahawand further.
To understand Maqam Nahawand, we must first break it down into its core elements. Like all Arabic maqamat, Nahawand follows a scale structure consisting of divisions called jins (plural ajnas), which are building blocks of maqamat.
Maqam Nahawand is often compared to the Western natural minor scale because of its clear emotional similarity. It typically begins on C (though it can start on other notes) and follows this sequence of intervals: Whole, Half, Whole, Whole, Half, Whole, Whole. Written out in ascending order, the notes are as follows:
Below this surface simplicity lies an intricate world of optional modulations (key changes) that give Nahawand its flexibility and depth.
The maqam is traditionally divided into two primary ajnas:
Nahawand may also allow modulations to other maqamat, including Maqam Bayati, Maqam Saba, or Maqam Hijaz for variation and emotional shifts within a piece. These modulations are explored through nuanced melodic phrasing, providing musicians with opportunities to demonstrate technical skill and artistry.
One of Nahawand’s defining features is its unparalleled ability to evoke a wide range of emotions. Listeners often describe it as melancholic yet hopeful, introspective yet uplifting—a spectrum that makes it versatile for both joyous celebrations and somber elegies.
For every genre, Nahawand weaves its emotional depth seamlessly into the music, showcasing its universality and timeless relevance.
For musicians, Maqam Nahawand is an excellent starting point for crafting melodies. Due to its resemblance to the Western natural minor scale, it offers a familiar yet distinct framework, making it easier for non-Arabic musicians to experiment within its structure. Try beginning a melody on C Nahawand, exploring its balance of gravity from the lower jins and the openness of the upper jins.
Arabic improvisation, known as taqsim, is the heart and soul of maqam-based music. Nahawand provides an ideal landscape for exploring taqsim because of its emotional expressiveness and opportunities for modulation. Start your taqsim with slow, deliberate phrases in the lower jins, gradually building tension as you ascend into modulations.
For percussionists like darbuka or riq players, Maqam Nahawand provides exciting opportunities for rhythmic collaboration. Complementing this maqam’s melodic phrases with intricate darbuka patterns, such as Maqsoum or Malfouf, can enhance its emotional character when performed in an ensemble setting.
Nahawand is a favorite for accompanying vocalists or leading instrumental solos in ensembles. Its balance of stability and flexibility ensures that it works well across various tempos and tonal ranges. Pair it with a singer performing a slower qasidah, or with string instruments like the oud and qanun, for a blend of melodic richness.
Begin by playing the Nahawand scale from different tonal centers. Practice ascending and descending slowly, paying close attention to the interval relationships.
Challenge yourself to include modulations within your practice. Shift between Nahawand and other maqamat, such as Saba or Hijaz, and observe how the emotional tone changes.
Study traditional Arabic compositions that feature Maqam Nahawand. Examples include Farid Al-Atrash’s instrumental works or Sabah Fakhri’s intricate vocal performances. Mimicking these pieces will familiarize you with Nahawand’s characteristic phrases.
Dedicate time to taqsim practice. Start simple and gradually expand to explore wider melodic possibilities while staying anchored in Nahawand. Singers should explore Nahawand lines vocally, while instrumentalists can dedicate this practice to their specific instruments.
Maqam Nahawand reflects the beauty and depth of Middle Eastern music. Its emotional versatility, rich melodic texture, and adaptability make it an invaluable maqam for musicians of all skill levels. Whether you’re a student tackling theory, a darbuka player adding melodic elements to your rhythms, or an accomplished musician exploring new creative avenues, Nahawand has something to offer you.
To take your learning further, incorporate Nahawand into your compositions, improvisations, or ensemble playing. Exploring it in depth can unlock creative doors, granting you a greater understanding of Arabic music’s profound emotional power.